Hidden in the picturesque hills of Treviso, Veneto, the Museo Canoviano, and its 1957 extension by Carlo Scarpa, hold a special place in the heart of Anna. Only those who are truly architecture enthusiasts and Carlo Scarpa lover would venture to drive uphill to this small village. However, the journey is unquestionably rewarded, particularly when followed by a glass of Prosecco!

The Museo Canoviano in Possagno showcases the gypsum casts of the Neoclassical sculptor Antonio Canova in its birth house. The casts were used as study model to make the real marble statues and they are all collected here. Its extension was designed by Carlo Scarpa, venetian architect, who proved here his ability to blend historical and contemporary elements through its sensitivity to tactility, light, and form.

Scarpa’s approach to tactility is evident in his choice of materials and meticulous detailing.
He incorporated surfaces such as stone, wood and glass inviting visitors to engage with the museum though touch.
Light plays a pivotal role in Scarpa’s design, as it highlights the sculptures and brings to life the contemporary architecture. Scarpa introduced strategic openings and lights wells that bathe Canova’s masterpieces in natural light. This delicate balance between light and shadow accentuates the sculpture’s form, showing them in a totally different perspective.

The Museo Canoviano, with its Carlo Scarpa intervention, is an example of architectural dialogue between the past and the present. History and contemporary design coexist harmoniously here, and the visitors can engage with the art and architecture on a sensory level.

Museum website link:
www.museocanova.it/museo/il-complesso/gypsotheca/ala-scarpa/

images credit: museocanova.it